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Child of God. Husband. Father of four. Pastor.

Tuesday, December 19, 2023

The Year in Music 2023: What a Terrible Year!

 My goodness, what a horrible year in music.

10. After the Magic by Parannoul--South Korean shoegaze...likely the best record of which you've never heard.

9. Heaven is a Junkyard by Youth Lagoon--dreamy electronic emo-pop from Trevor Powers.

8. This Stupid World by Yo La Tengo--ahhhh...guitar music.

7. Did You Know That There's A Tunnel Under Ocean Boulevard by Lana Del Ray--perhaps the finest female songwriter of her generation.

6. everything is alive by Slowdive--more shoegaze from the Brits; perhaps the unlikeliest of all the 1990's shoegaze bands to still be relevant.

5. I Am Not There Anymore by The Clientele--baroque/chamber pop.

4. Motorcycle Madness by Damien Jurado--perhaps the finest male songwriter of his generation.

3. Tim (Let It Bleed Edition) by The Replacements--this was one of my favorite albums of 1985 (and my all time favorite 'Mats album); it is rare (unheard of) that a re-issue would be included on a year-end "best of" list, but here you go.

2. Let's Start Here. by Lil Yachty--the most unique record you will listen to in 2023.

1. Back to Moon Beach by Kurt Vile--a steady hand, KV keeps plugging along with his own inimitable style and rescued an otherwise terrible year in guitar rock.


Dishonorable Mention:

Sufjan Stevens' Javelin

Boy Genius' The Record

Olivia Rodrigo's Guts

Taylor Swift's...what?

Ice Spice, Yves Tumor, SZA, 10000 gecs and countless other artists who would at any other time maybe make it to a fanzine or local newspaper, but in this era of ______ (whatever the zeitgeist actually is) they are "important" and "relevant" "critical darlings" of a badly broken music industry. What an utterly disastrous year in music.


Saturday, January 7, 2023

The Year in Music--2022

 I had every intention of completing my annual music review a couple of weeks ago, but a) I came down with influenza that evolved into a nasty case of bronchitis, and b) it appeared that the three people who have read my reviews over the last couple of years did not notice an absence in 2022. Feeling a bit sorry for myself (physically and emotionally), I put on my daughter's expensive headphones and listened to old George Michael records (those were the days!). Today, however, while driving in the car with my lovely wife, she inquired with a fairly high level of sincerity: "Aren't you going to make your music list thing this year?" I was energized! So, after a long delay, here it is at last! I present to you my Top 10 List of Favorite Music in 2022!

10 (tie). Asphalt Meadows by Death Cab for Cutie & Cruel Country by Wilco. Both albums are a bit twee. But loyalty is loyalty, and both bands have been good to us over the years. DCC produced more of the same (which is a good thing). Wilco made (according to insiders) their "country" record. Ummm...and what would you call AM? Being There? A middling and derivative effort, but enjoyable just the same.

9. In These Times by Makaya McCraven. Chicago guy. Jazz, ambient, psychedelic. Makaya puts it all together and makes it work well. Great background music.

8. Colder Streams by The Sadies. Canadian guitar virtuosos (and brothers) Dallas and Travis Good put together their best album since 2010's Darker Circles. Aggressive, dark, and melodic, this is paisley punk at its best.

7. A Light for Attracting Attention by The Smile. Any band with Jonny Greenwood and Thom Yorke (of Radiohead fame) is going to be phenomenal. This is a phenomenal record.

6. Pulse of the Early Brain: Switched On, Vol. 5 by Stereolab. Trippy, druggy, creative, inventive, and ridiculously weird. "Milky...white...spiiiiiiiidersssssss."

5. Blue Rev by Alvvays. Brilliant female vocals, shoegaze-y guitars, melody-driven songs, and strong pop sensibilities makes...The Cocteau Twins? No! Alvvays! It was a good year for Canada (see #8).

4. Inside Problems by Andrew Bird. The singer-songwriter/violinist/whistler produces yet another solid album. Can a record with the song "Lone Didion" be merely average? "Atomized" is not only one of the year's best songs but might also be an oblique Michel Houellebecq reference. Yes, I am a fanboy and fellow bibliophile!

3. (watch my moves) by Kurt Vile. He is just so wonderfully unassuming and talented. Solid from top to bottom.

2. Things Are Great by Band of Horses. This is the most underrated band of the last 50 years in America. Consistently good musicianship, catchy tunes, brilliant songwriting, and sing-along choruses from the nicest guys east of the Mississippi. They do Mt. Pleasant, SC proud!

1. The Tipping Point by Tears for Fears. Yes, I am biased, formed as I was by The Hurting, Songs from the Big Chair, and The Seeds of Love (three of the best albums of the 1980's) and Elemental (one of the best albums of the 1990's, though noticeably lacking the contribution of Curt Smith). But this is truly brilliant. Absolutely outstanding in every way. A masterpiece.


Dishonorable Mention: The Absolute Worst Albums of 2022

Taylor Swift's Midnight, Bad Bunny's Un Verano Sin Ti,  Beyoncé's Renaissance, The Weeknd's Dawn FM, and every bro' country album produced this year.


Bonus Feature: My All-Time Favorite Techno/Trance/House/Ambient Albums

5. The Richest Man in Babylon (2003) by Thievery Corporation.

4. The Campfire Headphase (2005) by Boards of Canada.

3. From Here We Go Sublime (2007) by The Field.

2. Apollo (1983) by Brian Eno.

1. Moon Safari (1998) by Air.

Honorable Mention: Selected Ambient Works Volume II (1994) by Aphex Twin; Radio Retaliation (2008) by Thievery Corporation; Dig Your Own Hole (1997) by The Chemical Brothers; The Man-Machine (1978) by Kraftwerk; Melody AM (2001) by Röyksopp.

Saturday, January 1, 2022

 The King is Dead! (Long Live the King!): Rock 'n Roll in 2021

It was an awful year in rock music. Many might insist that it was simply an awful year, period. It appears that rock is indeed dead, replaced by identity politics (blech), rap (which I suppose has its moments), and twee Generation Z banality disguised as earnestness. There is nothing new under the sun, though the latter group, especially, will insist they are "breaking new ground." Have you listened to Dylan? Springsteen? Good grief, have you listened to The War on Drugs? Also, there were women who played rock and roll a decade ago, and even sixty-freaking-years ago! But let us not talk of the past. Let us review the most recent full year in rock and roll. There were a few gems hidden amidst the detritus.

1. I Don't Live Here Anymore by The War on Drugs--Two platinum albums and a Grammy affirm that the formula works: shimmering synths, soaring guitar, steady rhythm, and pristine production. I still love Drugs, but there is little originality here. It is no Lost in the Dream. Still, middling TWOD is better than most guitar rock being produced these days.

2. The Monster Who Hated Pennsylvania by Damien Jurado--A familiar name on these "Best of..." lists, Jurado remains the finest (and most prolific) singer-songwriter of his generation. "Johnny Caravella" is a classic.

3. As the Love Continues by Mogwai--Post-rock stalwarts from Scotland continue to defy logic in making an obscure sub-genre accessible to the masses. Produced during the dark days of severe UK Covid lockdowns, this album is a ray of light.

4. Sympathy for Life by Parquet Courts--More techno beats and synth-driven pop impulses, but the guitar-driven punk core remains ("Homo Sapien"). While I miss the days of Light Up Gold (perhaps in the same ways that fans of The Clash scratched their heads upon the release of Combat Rock longing for the days of London Calling) art advances, and perhaps PC really are breaking new ground.

5. Sour by Olivia Rodrigo--An exceptional debut for the young singer-songwriter. She out-Swift's Taylor, creating complex, emotionally direct, and winsome pop bangers that are confident and vulnerable. And she mercifully lacks Swift's cardboard cutout, formulaic, "I'm one of you, only more genuine" affectedness.

6. A Billion Little Lights by Wild Pink--As "...Bigger Than Christmas" transitions seamlessly to "The Shining But Tropical," there is a moment when it seems as though the lights come on, we've been let in on a secret, and somehow things are going to be okay after all.

7. The Ultra Vivid Lament by Manic Street Preachers--How did I miss these guys over the last thirty years? Is this the British version of Dad Rock, or are they simply a more talented Panic at the Disco!? Are they leftist whackos (the early years) or right wing nut jobs (more recent accusations)? Perhaps they are just in the place in-between, which is super punk rock in these haunted days of ideology and identity politics.

8-10. As an act of protest against what was truly a HORRIBLE year in rock music, I am leaving these last three positions blank. Seriously, there were not ten albums worthy of this list in 2021.

Honorable Mention: Chemtrails over the Country Club by Lana Del Ray, The Besnard Lakes are the Last of the Great Thunderstorm Warnings by The Besnard Lakes, The Battle at Garden's Gate by Greta Van Fleet.

Dishonorable mention: Daddy's Home by St. Vincent, Montero by Lil Nas X, An Evening with Silk Sonic by Silk Sonic, 30 by Adele, JORDI by Maroon 5, Music of the Spheres by Coldplay, and anything by Taylor Swift.

Monday, December 21, 2020

(Back by popular demand!) The Essential 2020 Top 10

Every year, at least two of my five followers demand to know when I'm going to publish the latest "year-end" listing of top-ten rock albums. Wait no more! 2020 was a weird year in every respect. Touring stopped well before Easter. Outlets for new music shriveled. Creative artists, however, persevered, resulting in one of the best years in rock music in recent memory. Please read all the way through for 2020 bonus coverage: the best rock books of all time! Cheers!

10. England is a Garden by Cornershop--A pleasant, eclectic mix of T. Rex and David Bowie, Cornershop combines psychedelic pop with guitar-driven glam. What other band so usefully employs the dholki, flute, and tambourines?

9. Deep Down Happy by Sports Team--Messy pub rock from Britain. Probably better live than in the studio, but this is fun background noise.

8. A Hero's Death by Fontaines D.C.--Riveting guitar rock from Dublin. FDC brings a self-deprecating, world-weary edge. "Life ain't always empty (bop-bop-bop-bop-bop)." You only get one line, you'd better make it stick.

7. Fetch the Bolt Cutters by Fiona Apple--This is unlike anything you will listen to the rest of the year. Brilliant, disturbing, funny, melodic, and altogether trippy.

6. Mordechai by Khruangbin. Drums, guitar, bass. This is eclectic instrumental rock that borrows from R&B, psychedelia, dub, and east Asian dancehall. Oh yeah, and they are from Texas and met playing in church. Go figure.

5. Speed, Sound, Lonely KV (EP) by Kurt Vile--The long-haired guitarist reinterprets John Prine classics and some original work on this lovely little EP. Kurt Vile can do everything, including Kentucky country.

4. Shore by Fleet Foxes--An uplifting album from Robin Pecknold in the midst of Covid was just what we needed in 2020. From paying homage to Richard Swift (producer of wegodomini favorite Damian Jurado) and David Berman (Silver Jews) on "Sunblind" to the Biblical imagery of "Jara," this is an outstanding album from beginning to end.

3. The Slow Rush by Tame Impala--Kevin Parker is a one-man juggernaut, producing some of the best indie rock of the early 2010's (InnerSpeaker, Lonerism), and now some of the best soul pop of the late-decade. This is polished 21st century pop-rock at its very best.

2. Live Drugs by The War on Drugs--Seldom do live albums make year-end best-of lists, which speaks only to the spectacular production of these live tracks from Drugs. I challenge you to find a cleaner, tighter album of studio music. Adam Granduciel and his band are the best band of the last decade, hands down.

1. The Universal Want by Doves--I hadn't paid attention to Doves since their brilliant 2005 LP Some Cities. With the Williams brother (Jez and Andy) on drums and guitars, and the steady bass and smoky voice of Jimi Goodwin, these middle-aged Manchester dudes do Dad Rock better.

Honorable mention: Beyond the Pale by Jarv Is...,  Karma & Desire by Actress, Dropsonde by Biosphere, Rough and Rowdy Ways by Bob Dylan, The Ascension by Sufjan Stevens, Untitled (Black Is...)/Untitled (Rise) by Sault, We Will Always Love You by The Avalanches, Color Theory by Soccer Mommy, Sixteen Oceans by Four Tet, The New Abnormal by The Strokes.

Dishonorable mention: Everything released by Megan Thee Stallion, Miley Cyrus, and (with apologies to friends) Taylor Swift. Blech.

BONUS COVERAGE! To get you through a long, cold Covid winter, these are my favorite rock and roll books of all-time. Enjoy!

10. Shakey: Neil Young's Biography by Jimmy McDonough (2002).

9. Lennon: The Definitive Biography by Ray Coleman (1993).

8. Born to Run by Bruce Springsteen (2016).

7. Autobiography by Morrissey (2013).

6. Last Train to Memphis: The Rise of Elvis Presley and Careless Love: The Unmaking of Elvis Presley by Peter Guralnick (1993/1998).

5. Girl In a Band: A Memoir by Kim Gordon (2015).

4. Let's Go (So We Can Get Back) by Jeff Tweedy (2019).

3. Just Kids by Patti Smith (2010).

2. Remain in Love: Talking Heads, Tom Tom Club, Tina by Chris Frantz (2020).

1. Coal Black Mornings by Brett Anderson (2018).


Friday, August 7, 2020

Sherman Long and the Merry Gillilanders

The first quarter-mile of Mt. Sherman’s Iowa Gulch trail is flat, meandering, and actually quite pretty. We made our way through creeks, willows, and mud, our vision blurry and limbs stiff. Soon, we were climbing upwards, pursuing the slender saddle connecting Mt. Sheridan (to the south) and Mt. Sherman. There were several on the trail; none moving as fast as we were. We made good time to the saddle, where the Iowa Gulch trail connects with the Southwest Ridge trail. There the crowds began in earnest. We staggered to the Sherman ridge, increasingly fighting the wind and falling temperatures. Finding the summit ridge amidst heavy clouds and wind, we pushed on to the false summit and, finally, true summit. Exhausted and relieved, we settled in behind some rocks to enjoy even a few minutes of the undeniable beauty spread out before us. The cold was unrelenting, however, so we set off for the return. It was a long, tired slog, though of course much faster going down than going up.Shuffling back to the willows and mud, we triumphantly made it to the truck, spent. Stop motion. Fist bumps. Triumph. Relief.

In previous years, we got an early start. This year, while my day certainly started early, we didn’t hit the road until 10:00 a.m. The going was unusually slow. Traffic, construction, and the fatigue of already having spent half a day at work made for a rather brutal drive. Clouds hung low through Nebraska, limiting the normally expansive sky to a confining, heavy blanket. Lunch, on the other hand, continued a rather normal, if uninspiring, pattern of fast food: McDonald’s in Kearney.

We pressed on, finally reaching the depressing eastern plains of Denver as the sun made its rapid descent in the western sky. Our hope was to reach Frisco by 7:00 p.m. for Thai chicken and beer at Outer Range Brewery, then on to set camp at Mayflower Gulch before dark. As we crept through Denver traffic, it was increasingly apparent that we would not reach our destination in time. In fact, we wouldn’t be close. Dusk settled in as we continued on I-70 through the foothills, Idaho Springs, the Eisenhower Tunnel, and finally Frisco. The sunset was impossible to discern for the dark clouds covering the valley. It began to rain as we parked and made our way into ORB, where we were promptly informed, “The kitchen closed twenty minutes ago.” Disappointment. By then, it was already 8:20 p.m., the rain was thickening, and we were tired and hungry. We ran across the parking lot to Pure Kitchen, where we were at the very least able to enjoy a spectacular chicken sandwich and beer. It got darker outside. The rain increased.

By 9:00 p.m. we were back on I-70, making our way to the Copper Mountain exit and, finally, the Mayflower Gulch trailhead. It was very dark. We drove up the deeply potholed 4WD trail, Mark shining his glitchy headlamp into the trees seeking a suitable campsite. The prospects were bleak, though perhaps just unseen as the small light barely penetrated the deep darkness and steady rain. After a couple possibilities were tested and aborted, we hit the end of the trail and backtracked, again finding nothing. Depressed, disappointed, and somewhat annoyed, we decided to continue on to Leadville in hopes of being inspired en route for where, exactly, to sleep. I should have stuck to my original plan of going to the Mt. Elbert trailhead dispersed campsites, but another 20 minutes of driving sounded terrible. Driving through Leadville, no cheery place anytime but especially depressing in the dark and gloom of a cool July night, we finally pulled into a cheap motel parking lot. The office door was locked, but Mark called the proprietress and asked for a room. She told us to wait: “I’ll be there in five minutes.” Alas, in those five minutes I determined that instead of cutting our losses and sleeping in a real bed (a wise, if perhaps soft option) we should press on to the Mt. Sherman trailhead and sleep in the truck. Exhausted, travel-fatigued, beset by thin air and insufficient oxygen to the brain, I didn’t know what I was suggesting. Mark, however, in his kindness, willingly agreed. We drove up to 12,000 feet, parked the truck, and settled in for the night.

To suggest that what we did in any way resembled sleep would be a gross exaggeration. Mark settled uncomfortably into the back seat of the cab. I rolled out my sleeping pad and bag in the covered truckbed. This claustrophobia-inducing bunk would perhaps have been suitable if, a) the truck didn’t reverberate with clamorous squeaks every time I moved my body, b) it was even a bit warmer than 40 degrees, and c) it was not raining. With my feet sticking out of the back, feebly covered with the tent footprint, rain smacking the truckbed cover, and my mind racing with the potential outcome of my poor decision-making (sleeplessness? hypothermia? wild animal snack?), I tried to settle in for anything resembling rest.

Alas, it was a futile exercise. I tossed and turned (very loudly) through most of the night, my feet increasingly wet and cold. Finally, I was able to sleep (mostly thanks to two sleeping pills), despite hideously weird dreams, and awoke supposing that it was nearly dawn. I looked at my watch—2:30 a.m. I think I cried a little bit. I was cold, uncomfortable, and generally feeling unwell (I’m never sick at altitude, but the first hours are usually accompanied by light-headedness and a general feeling of being out-of-sorts). After several more hours of tossing and turning (very loudly),I finally cut my losses and hopped into the cab—heat on; seat-warmer on. Resting my eyes and trying to relax, the sun finally emerged in a greasyeastern sky. It looked cold. As Mark came to, I retreated to the back of truck to prepare hot water for oatmeal and coffee. We ate, dressed, geared up, and set off in a fog of fatigue and cold.

The warmth of the car was welcome as the sun came out and we descended the mountain into the quiet confines of Leadville. I was pleased to see that the town was buzzing with people and traffic. We parked on a side street and made our way to High Mountain Pies. Covid makes even lunch at a mountain dive into something of a tense affair. Masks on, we got in line (appropriately distanced from other customers), and soon ordered food: the Hawaiian pizza for Mark; a muffuletta sandwich and salad for me. Beers for both. We settled in at a table under mostly cloudy skies, the temperature a cool 65 degrees, and enjoyed our fantastic repast. I remain convinced that HMP’s secret is in infusing the pizza crust and/or sauce with THC. I will have to be convinced otherwise.

Fully sated, we set off to explore a bit of downtown Leadville: second-hand gear; intel on good hikes in the area (bemused by the bike shop proprietor with the curious accent and sheepish confession, “I don’t like people”); the sleepy stoner at Floyd’s of Leadville who reminded us why marijuana is best left alone; and finally the drive to Half Moon Creek. There, under threatening skies, we set up camp in a lovely spot just as the rain began to fall. Finally…rest.

Later in the evening, the clouds parted enough for us to explore on foot for a bit. We debated our plan for Saturday morning, finally deciding to do a reconnaissance of the North Half Moon Creek trailhead, which would ostensibly lead us on the Southwest Slopes trail to the pinnacle of Mt. Massive. This seemed a rather ambitious plan after the long drive, pitiful night of sleep, and ascent of Mt. Sherman. The 4WD road to the trailhead was exceptionally rough, but fun to drive. Thirty minutes later, we found the trailhead and confirmed our plan to attack Massive in the morning.

Back at camp, we built a fire (much to the consternation of a neighbor), prepared dinner, and settled in for a quiet evening. In the course of our discussions about the morrow, we determined that there were likely three options: 1) if raining in the morning, we would beat a quick retreat to Denver and the hotel awaiting us there; 2) if clear, revived by a good night of rest and iron determination, we would make the drive to the Southwest Slopes trailhead of Massive and undertake the rigorous climb of Colorado’s second highest peak (14,428 feet); or 3) if clear, in anticipation for what we expected to be an intense couple of days in RMNP, we would take an easier path and simply meander north on the Colorado Trail.

We were up early (3:30 a.m.), having slept reasonably well and delighted to be met with no rain. Donning our gear, we quickly determined that Massive might be too ambitious of an undertaking. So, after a brief pitstop to relieve our bowels, we made our way to the Mount Massive East Slopes trailhead, parked, and set out on the Colorado Trail. It is always a special joy to hike through the mountain woods in the dark. The steady, but not taxing, climb brought us through aspen and pine groves, across streams, nominally lit by the early morning light of the eastern sky. As the sun rose, we forded North Willow Creek and the Mount Massive junction, continuing north into subalpine meadows and brilliant vistas of Turquoise Lake. Eager to break camp and enter into the next chapter of our odyssey, we retraced our steps, the woods now illuminated by the early morning summer sunlight, exposing a few campsites but otherwise few signs of life outside of trees, birds, and occasional ground squirrel. It was a pristine, classic hike and perfect way to stretch our legs in recovery from the rigors of the previous days.

Back to our campsite by 8:00 a.m. (after having hiked a brisk 8 miles), we quickly broke camp with the skill and efficiency of a NASCAR pit crew. By 9:00 a.m. we were packed up and set out. The day was shaping up to be similar to the days before: mostly cloudy with a threat of rain. Driving north on Colorado 91, I was again struck by the beauty and wildness of the Sawatch Range. It was a glorious drive, accompanied by U2X on Sirius radio and the impending promise of civilization. After a quick stop in Frisco for Starbucks coffee and breakfast sandwiches (I love Frisco), we continued east on I-70 for Denver.

As we had several hours before check-in at the hotel, and needing to stock up on a few supplies, we traveled directly to the Denver REI flagship store on Platte. A glorious Saturday morning in Denver, we were met by hordes of others who were out and about doing the same as us: enjoying a beautiful day, stocking up on outdoor gear, or just exploring the Commons Park-Highland neighborhood of Northwest Denver. We navigated the huge store—I purchased some climbing gear (nuts, quick draws), freeze-dried food, and Honey Stinger waffles—and then found a place to park down Platte Avenue. We lunched at Superfood Bar (smoothie for me; quinoa bowl for Mark), and then we each set off to explore. I bought a pair of pants at Royal Robbins (which I’ve already deemed the best pair of pants I’ve ever owned, to which one might respond in considering the $85 price tag, “I sure hope so!”).

Reunited, we set out for Golden and the hotel. There, we set out our soggy tent and hammocks to dry before occupying our room. While Mark completed his ablutions, I sat by the pool for my devotions and journaling, keeping a wary eye on the storm clouds moving in from the south. As the first raindrops began to fall, I made my way to our room and the welcome luxury of a hot shower (surely one of the top five shower experiences of my lifetime). Clean, refreshed, and of absolutely no surprise to our wives who would insist that we cannot sit still, Mark and I decided to head to Boulder well ahead of our 5:30 p.m. meeting time with Luke and Jane.

As we drove to Boulder, the deluge commenced. Lamenting our saturated camping gear, and hoping it would not be stolen as it laid on a grassy knoll beside the hotel parking lot, we drove up Colorado 93 to find the Flatirons and city of Boulder awash in sunlight. Parking just off of Pearl Street, we made our way to first reserve a table at West Flanders Brewing Company and then peruse the wares on the pedestrian mall. It was a lovely, sunny, busy Saturday night in Boulder, and a perfect evening for strolling along Pearl Street. It has been disappointing, however, to contrast my early memories of Pearl Street with my experiences over the last couple of decades. Back in the 1980’s, Pearl Street was filled with hippies, Moonies, druggies, musicians, street performers, bored local kids, and families vacationing. It was a blast to get a nose-full of dope, find a cheap touristy tee-shirt, and watch BMX performers in front of the courthouse. Today, Pearl Street is filled with a random Deadhead or two, but mostly with Patagonia-wearing super athletes, woke university students, soccer moms, and small groups of men from Texas. I miss the old days.

Despite all that, there was no place I would rather be than Pearl Street on a Saturday night in July. We met Luke and Jane for dinner—burgers and beer at West Flanders—and then hit Boulder Books and a couple of tourist traps for a) Jon Krakauer essays, and b) a tank top for Julie. By 8:00 p.m., we’d had enough, and retreated to Golden for luxurious rest in a real bed without the threat of rain and cold. Arriving back at the hotel, however, we were confronted with a more immediate challenge: how do we dry out our now-saturated tent? Mark, the genius, devised a plan by which our gear was dried in our room, using only tent poles and the basic laws of thermodynamics. Our gear nicely drying, we retreated for bed and the only good night of sleep we would have all weekend.

Sunday morning found us awake at 7:00 after a full night of rest. We were elated to find our gear dry. After a quick breakfast and collection of gear, we set out for Estes Park, stopping at a nearby Starbucks to supplement our meager hotel fare with real coffee and breakfast sandwiches. The Colorado Sound on the radio, we made our way through the foothills on Colorado 36 to Estes Park, arriving at the Beaver Meadows Visitor Center at 9:30 a.m. to pick up our backcountry permit and reservation.

Permit in hand, we made our way to the parking garage and Starbucks to await Luke’s arrival. I probably should have eaten real food at this point, but I was nervous. Would the weather hold? Could we make the hike laden with 40 pounds of gear each? Would there be space in the Boulderfield? Would we be warm enough in the night (snow was forecast)? How terrifying would the Northwest Couloir Route be? Would it be dry? Passable? I sipped a smoothie as we waited, and then hit the men’s room in the visitor center one last time before meeting Luke. He rolled in at approximately 11:00 a.m., prompting us to do a final gear check, suit up, and pack up before heading to the trailhead. We drove the short, pretty 8 miles to the Longs Peak trailhead, arriving just before noon to overcast skies and pleasant temps. Loading up, we slowly made our way to the trail, stopping briefly to chat with Park Ranger Derald DeYoung (originally from Grand Rapids and former Calvin College music instructor) before starting up.

On the trail, we settled into a pleasant rhythm through the trees, arriving at Goblin’s Forest (1.5 miles in) in less than an hour. This seemed to be auspicious, as I was feeling good and the pack weight was not terrible. We continued to climb, the trail continuing upward, but at a pleasant rate of elevation gain. Soon, we were climbing by Jim’s Grove, through the alpine tundra of Mills Moraine, and finally to the Chasm Lake junction at mile 4.5. We were pretty well knackered at this point, fighting tedium and intermittent rain as low clouds covered the east face of Longs Peak. We still had 1.7 miles to go. The novelty of the hike had worn off, the rain persisted, and Mount Lady Washington blocked easy passage to our destination. The worst part about the East Long’s Peak trail at this point is that it meanders above the tree-line almost interminably, winding all the way around Mount Lady Washington and finally through Granite Pass (Battle Mountain taunting us to the north), at which point we could at least smell the Boulderfield.

A final half-mile slog brought us at long last and with great relief to the Boulderfield, where we found a campsite, set up the tent (in the rain, of course), changed into dry clothes, and rested in the warm, mostly dry confines of the Mountain Hardware Trango 3 bomb-shelter eating Mike & Ike’s, thanking God for reaching our destination, and praying that the rain would soon relent. As I read Krakauer and dozed, I soon noticed that the inside of the tent was much brighter and I could no longer hear the gentle pitter-patter of rain on the fly. Mark peeked outside. The skies had cleared, the sun had come out, and it was suddenly a bluebird day. Overjoyed, we all ran out to lay out our clothes to dry, to soak up the sun, and to marvel at the imposing east face: the Diamond.

As Mark settled into a comfy spot on a large boulder, mesmerized by the spinning clouds above the Keyhole, Luke and I took off towards the ridge leading up to the east face. Hopping over boulders is always a blast in the Boulderfield, and we were soon peering down into the abyss at Chasm Lake in the distance to our left, the east face rising up dramatically, forbiddingly, to our right. We snapped a few pictures, gaped in awe at the Diamond, and eventually beat a hasty retreat to the sunny safety of our campsite. As dinner was prepared—Sante Fe chicken and rice for Mark; fettuccini alfredo for Luke; Indian curry for me—we discussed our plan for the next day: optimistic that the weather would hold, should we go up the Northwest Couloir Route or, in a slight twist suggested and gently pressed by Luke, ascend via the old Cables Route? The Cables Route is a classic Longs route up the north face along a series of old eyebolts that at one time carried a cable that most climbers used to ascend Longs. The National Park Service got rid of the cable a long time ago, but the eyebolts remain as stable anchoring points for a traditional alpine ascent. Luke was clearly in favor of the technical 5.5 Cables Route. Mark and I had been planning on the more modest 5.0 ascent up the Northwest Couloir, which seemed like the next step in our climbing evolution beyond the 3+ Keyhole Route. Even looking at the Cables Route up the north face, where a fall would be deadly and ultimately end in an 800-foot free fall off the Diamond, the Northwest Couloir seemed like the wise, responsible thing to do. The Cables Route would be there next year. Besides, I reasoned, if we got up and down the Northwest Couloir/Keyhole Route quickly in the morning, we could always give the Cables Route a shot in the afternoon (not realistic thinking, but it was my way of not having to make a decision about the Cables Route, however attracted/intrigued/exhilarated I was). Luke and I visited with some neighbors about their proposed route, finding that they were uncertain, as well, aside from having some photographs and the basic direction of the Cables Route. I was again intrigued, though it still felt a bit far-fetched. Back at the tent, we decided to sleep on it and decide in the morning, trusting that whichever way we got up the mountain, it would be a challenge and a joy.

The guys turned their lights out while I continued with Krakauer. I finally turned my headlamp off just as the stars began to come out. It was mercifully warm in the cozy, albeit malodorous tent. I drifted off to sleep. My early morning bathroom break brought me out to a summer night sky filled with twinkling jewels. As I looked to the northwest, falling stars littered the horizon. The lights of Denver shone to the east. It was calm and clear. Stoked, I crawled back into my sleeping bag excited about the day ahead.

The hikers made their presence felt as early at 4:00 a.m.—crunching over boulders, talking, their headlamps bobbing in the early dawn. By 6:00 a.m. I was up boiling water for coffee and oatmeal. We continued our discussion from the night before as we downed our breakfast and began to gear up. My bowels coming to life, I excused myself, saying, “We will make a decision when I return.” Taking a crap at 12,500 is a bit of an undertaking. Thankfully, the national park service thought of this, placing two well-appointed commodes fifty yards from our campsite—complete with toilets and stunning views of Battle Mountain. As I sat, I reviewed a part of my dream—a dream that included me sitting on a high vista above the trees, the fear of falling imminent, and the eventual breath-taking plunge into God-knows-what. It occurred to me, “Face your fear.” Walking back to the guys, carrying the tie-breaking vote, I said, “Cables Route.”

We geared up: water, food, harnesses, rope, hardware, helmets, extra layers. Gingerly making our way through the Boulderfield south and west to Chasm View, we stopped briefly to peer over the edge, a vertigo-inducing glimpse into the abyss and the fear that gripped me. Identifying the first eyebolt, we put on our harnesses and made our way up. I belayed as Luke lead-climbed up the first pitch, setting protection and making the route look relatively easy. After anchoring to the next eyebolt at the top, Luke downclimbed to us, at which point Mark and I made our way up. It was harder than it had looked. I quickly got shaky in my limbs and carefully considered my mortality, trying to discern whether or not a tumble from my tenuous position would be arrested before I hit the edge of the Diamond. Powering on, we all made it up the first pitch. I was exultant. As we prepped the second pitch, I noticed my surroundings: it was a perfect, windless, bluebird day in one of the most beautiful places on the planet. I was with friends. I was climbing.

We more nimbly navigated the second pitch, finally arriving at 13,000 feet with the hardest work behind us. Packing our rope and hardware away (on Luke), we scrambled up the last one-third of the route to the airy summit of Longs, attracting the admiring glances of Keyhole Route climbers who wondered where in the world we had just come from. After we snapped pictures, explored, and congratulated each other, Luke made a pot of coffee while Mark & I relaxed and made friends with the hippies who had just come up the Keyhole Route. They shared their figs and date bars and pulled out an old portable television (driven, as they were, by the idea of watching Mexican soap operas at 14,000 feet); we shared our chocolate, cashews, and coffee. It was a triumphant day on the mountain.

Far too quickly, we decided we best head down, as storm clouds were beginning to form towards the south. Packing up our gear and finishing our snacks, we made our way to the north face, where we pulled out our ropes and hardware and Luke gave us a crash course in rappelling. I can’t say that, beyond a few tense moments, I was ever terribly scared going up. As I leaned back on the rope to begin my first rappel down, however, I was suddenly terrified. What if my hands slip? What if the anchor doesn’t hold? What if the rope snaps? What if my hardware or harness malfunctions? A fall here would most certainly be fatal.

The first rap went as hoped—smoothly and without incident. We regrouped for a moment as the storm clouds continued to build, and soon completed the second rap…and the third and final rap. Elated to be down, now racing against time, we packed up our gear and raced down to our camp, arriving just as the rain did. Resting our tired limbs and minds for just a moment, we decided to break camp and head all the way down, the thought of another night in a tent almost unbearable. In record time we broke camp and packed up, setting off down the East Longs Peak Trail at 1:00 p.m. after an extremely full morning on the mountain.

If you want to make lasting friendship, climb together.

The shark fin, looking up the cables route.

Sundown in the Boulderfield.

A wee bit chilly on the summit of Sherman.



Take a deep breath...

Triumph!

The novelty has worn off...

On our way to Chasm View and the Cables Route.

Sums it up pretty well...


Mark rappelling down the north face of Longs Peak, RMNP.




A few moments before gearing up...


The Sioux County Alpine Club representing on Longs Peak trailhead.
Trying to dry out in the San Isabel National Forest.

Gearing up for the climb up...

A bluebird day in the Boulderfield.
A quick rest on the way up Sherman.

The walk down was interminably long and tedious. We settled into a quick pace, but each step was effort, my feet burning and whole body exhausted. After three hours of descent, we finally came upon the parking lot. Hallelujah! I dumped my gear in the back of Mark’s truck, wiped myself off (the REI viscose cleaning towels proving once again to be invaluable), and donned fresh clothes. I was absolutely fried—the sun, wind, and exertion leaving me completely wiped out. We talked a bit with vacationers from Kansas, hit the bathroom, and then set off for the parking garage to deposit Luke. I was feeling a bit nauseous—probably a bit dehydrated and not having eaten any real food since the questionable curry the night before. Leaving Luke, we pinned our ears back and headed East. A quick stop in Loveland encouraged us with Christian chicken (Chick-Fil-A), and we pointed the F-150 east for home. The entire drive is a blur, aside from a stop in Grand Island where Mark downed a Red Bull. He took the wheel. I slept. I awoke with a start as we pulled into Sioux Center at 3:30 a.m. Home.

 

Saturday, March 14, 2020

Park City 2020

Sunday, February 23, 2020
I was ready for a break. It had been an intense week of death, meetings, and worship preparation. My dear friend Carole died earlier in the week, and much time was spent with the family, consoling, and planning for a funeral. This on top of the usual work of class prep, lectures, sermon preparation, and kids’ activities. I officiated Carole’s funeral on Saturday, completed final preparation for our 24-hour prayer vigil at church, attended Isaiah’s basketball games in Sioux City, met Jim and Linda in LeMars for dinner, and finally came home for sermon preparation and sleep.

The morning began with my one-hour prayer slot at the prayer vigil at 7:00 a.m. After some additional sermon preparation in my office, I left for Hawarden. It was a beautiful day and smelled like spring baseball. Making my way to the community center, I prayed in peace. Worship was great: Jon DeGroot led worship, the message went well, and Jim and the kids were there. After worship we high-tailed it home for Culver’s. After visiting for awhile, I went upstairs to pack.

Quick goodbye’s, loaded up the Ford, and took off for Omaha with the Park City 2020 playlist blaring. Beautiful day. At OMA, I parked, made my way through TSA, and waited for my flight. It was a joy to simply be away from Sioux Center. I watched The Frankenstein Chronicles and Narcos on Netflix, listened to music, and read a bit of Russell Murray’s The Madness of Crowds. The flight to DIA was uneventful, however a bit choppy. Lugging my Patagonia gear through DIA was no picnic, but thankfully I had time and my gate was close. I settled in for dinner at Que Bueno (two vodka tonics, steak nachos) and made my way to the gate for the final leg to SLC. This would be a smaller plane, so I checked my bags, glad to be rid of the extra weight and hassle.

Arriving in SLC, I hit the men’s room, made my way to baggage, grabbed my bags, and met Billy at the curb side. My attire: white tee-shirt, black Banana Republic v-neck sweater, black UniQlo jeans, white Nike VaporMax shoes, Patagonia Nanopuff vest. Black Patagonia duffle and messenger bag. Billy pulled up in a white Dodge pickup. I threw my bags in the back, and we hit it for In-N-Out Burger (single, fries, and a Pepsi). Drive up the mountain to the Silverado at The Canyons was quick. Wide awake. Stoked. The room was great. Talked a bit, completed ablutions, and went to bed.

Monday, February 24, 2020
I slept soundly for all of four hours, and then it went to crap. Wide awake at 2:00 a.m., I rolled around, prayed. I was not bothered, but rather completely excited to wake up and get on the snow. We got up, hit Starbucks for coffee and a Clif Bar, took a quick tour of the Westin and our hotel, got my rental skis at Aloha, and headed back to the room to gear up. We were on the lift at 9:30 and hit it hard. The first run was good, but my Fischer demo skis were super twitchy. I felt unstable on the snow. This, coupled with my lack of sleep and shitty weather, made for a tough day of skiing. The weather was weird—sickly gray skies, intermittent snow, wind, and cold. I began to feel nauseous late-morning, likely for lack of sleep, and was uncomfortable for most of the day. Thinking food would help, we stopped at Cloud Nine off the Dreamcatcher lift for lunch: Asian salad ($22!!!), M&M’s, and Coke. The food and caffeine helped a little, but I could not find my groove. I felt dizzy and nauseous going up every lift, and was cold and technically unsound going down every run. We skied 24 runs and 29 thousand vertical feet.

Back to the lodge, I worked out in the gym, showered, and rested until Billy came back from his workout/soak at the Westin. To Burgers and Bourbon at the Deer Valley Montage, we ordered Wagyu beef nachos and a flight of local bourbons. I didn’t have much of an appetite, failed to fully appreciate our spectacular burger, fries trio, and Hooker Blonde Ale, but we had a great talk about life and marriage. I was simply wiped. Back to the lodge, I was out at 10:00 p.m. Lousy date. I wrote in my journal: “I love to ski, but I love God more. I love the mountains, but I love the One who made the mountains more.” Amen.

Tuesday, February 25, 2020
A new day. What a spectacular day. Coming down from the mountain Monday evening, I swapped my Fischer skis out for a pair of Head V10 skis. The first run of the morning, I was so glad I did. I was back. It was a great run on a great line, carving huge, fast turns on a meticulously groomed and fresh Echo. It was a great start to the day and restored my confidence considerably. Making our way to the Super Condor Express, we began our annual strategy of working the mountain from north to south, beginning with Boa, a brilliant blue and the northernmost run at the resort. Back to the Orange Bubble, we hit Mainline to Saddleback Express, then down Snow Dancer and Chicane to Tombstone Express. Up Tombstone, we found what would become one of our favorite runs at PC—Sidewinder, a steep, wide black run of perfect snow. Up Tombstone again, we came down on the north side, hitting Another World and Rhapsody, solid blues, to Timberline for the Iron Mountain Express and finally Quicksilver Gondola for the ride to Park City proper. We continued to work our way south with several blues, ending our odyssey at Pay Day on the very southernmost edge of the resort. We covered a lot of ground and great skiing the entire afternoon.

Fulfilling our mission, we made our way back north, being sure to hit Sidewinder again and ending the day at Upper Boa. For the day, we skied over seven hours, hitting 25 runs over 33 miles and nearly 30 thousand vertical feet. I somehow managed to hit 55 mph on a brilliant run somewhere along the way. I was skiing fast and confident. It was an awesome day.
 
Back at the Canyons and completely wiped, we cleaned up and headed into Park City for dinner and basketball (Iowa v. Michigan State). We found our usual place at Fletcher’s, order old fashioneds, and settled in for the game and food: steak and buffalo fondue, short rib grilled cheese, and New York strip (and more old fashioneds). By the time the game was over, we were full and the crowd was growing. We escaped, checked out a few stores, and finally made our way to the Mammut outlet, where I scored a great deal on a pair of Runbold pants. It was a great night.

Wednesday, February 26, 2020
I didn’t even hear Billy go (he had an early flight). I slept in, made a big breakfast, and packed up. Stashing my bags at the front desk, I made my way to the Orange Bubble lift for a day on my own. It was a lovely, quiet day of skiing. I did my best to avoid the crowds, skied pretty well, but missed my skiing partner and was growing antsy. The weather was glorious, the crowds were thin, and I was able to enjoy some much-appreciated silence and solitude. Completely exhausted by 2:00, I returned my skis, got cleaned up in the lodge locker room, and called an Uber. To SLC, smoothie for dinner, long flights home, and nearly fell asleep at the wheel south of Maurice. Arrived at long last (1:30 a.m. Thursday morning).











Sunday, December 29, 2019

Best Music of 2019

Back by popular demand (or at least by what I expect my three followers probably desire about this time of year)! The top ten albums of 2019, a decidedly poor year for guitar rock but filled with all kinds of surprising productions that will surely stand the test of time. Enjoy!

10. Schlagenheim by black midi. Jazz-punk post-rock fusion from the London lads.
9. I Love You. It's a Fever Dream by The Tallest Man on Earth. Kristian Mattson writes singer-songwriter ballads with a trippy psychedelic ethos.
8. Closer to Grey by Chromatics. Atmospheric post-punk new wave rock that pairs well with David Lynch movies and quiet winter nights in Iowa.
7. KIWANUKA by Michael Kiwanuka. The UK artist of Ugandan descent makes spectacular R&B-inspired art rock.
6. Constants by Message to Bears. Jerome Alexander's project brilliantly blends folk and electronica.
5. Colorado by Neil Young and Crazy Horse. Neil Young is old and Crazy Horse has lived hard for decades, but they are still capable of producing messy guitar rock with a social conscience.
4. My Finest Work Yet by Andrew Bird. The singer-songwriter-fiddler-whistler returns with his...best work yet.
3. Ode to Joy by Wilco. "Love is Everywhere (Beware)" is a great song on a great record. Jeff Tweedy and Co.'s best since Sky Blue Sky.
2. Buoys by Panda Bear. The Animal Collective artist produced a stunning, spare, and meditative album that carried me through the spring. Exceptional in every way.
1. Jesus is King by Kanye West. Ye production values and creativity, but repurposed for a purpose. This is a bold, courageous album from the newly transformed rap artist. Amazing.

Honorable Mention: Boat by Pip Blom; Help Us Stranger by The Raconteurs; Why Hasn't Everything Already Disappeared by Deerhunter; Everything Not Saved Will Be Lost, Part 2 by Foals; III by The Lumineers; Two Hands/U.F.O.F. by Big Thief; Infinite Jest by The Siberian Traps; The Brian Jonestown Massacre by The Brian Jonestown Massacre; Face Stabber by Thee Oh Sees; Conference of Birds EP by Avey Tare; Psychedelic Country Soul by The Long Ryders; Jimmy Lee by Raphael Saadiq; The Undivided Five by A Winged Victory for the Sullen.